by Number9 » April 28th, 2010, 9:23 pm
Although I am not a photographer, I feel that the disjunctive perturbation of the spatial relationships threatens to penetrate the inherent overspecificity. Clearly, the artist is an advocate of the Big Mac Aesthetic. Initially, one could surmise, that the internal dynamic of the biomorphic forms endangers the devious simplicity of the essentially transitional quality. Such is life. It must be stated that without further presupposition, what have we become?
Upon further review of the subject, I'm troubled by how the disjunctive perturbation of the sexual signifier endangers the devious simplicity of the distinctive formal juxtapositions.
Ahh, art school.
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