by Mr. Mitt » February 20th, 2012, 6:44 pm
Look, I don’t want to go through this lot by lot, but besides the massacred Ruth box restoration (which is an absolute shame) accompanied by a non-matching glove from more than a decade later, the DiMaggio is a clear example of the auction house not knowing what they are dealing with. Did the writer of the DiMaggio description even look for a model number on the glove? They proudly write of a matching, pre-war, set. They are half correct. The box is a stupendous (thankfully unrestored) example of a pre-war DiMaggio while the glove is a common, 1940’s model 133. It’s in sight, clear as day, on the heel of the glove.
Mike brings up relining which leads to the restoration question. Cleaning is an accepted practice in our hobby, as is restoration, to an extent. Some people like restored gloves, others don’t, it’s a matter of personal preference. Either way, whatever is done should be fully disclosed when offered for sale. Some alterations in this auction are disclosed and others aren’t. That’s unethical.
This leads me to another point that I touched on months ago after the last auction. If these gloves were cleaned properly, results would be much better. Now, in this auction I see uncleaned gloves that, if properly attended to, would bring in greater results, while at the same time I see restorations that diminish the value of the piece. The restorations should, ultimately, be left up to the new owner of the glove, not the auction house. The Brine Gehringer could be easily cleaned to make it much more presentable while action was taken to restore the pita, apparently by an amateur, and it ended up being a disgrace. I am extremely disappointed.